Kontakt

Mail: skayhanm@uni-mainz.de
Tel. +49 (6131) 39-282 47

Sprechzeiten

Mittwochs 12–13 Uhr
Raum 04-236

Medienhaus - Wallstraße 11, 55122 Mainz

Sezen Kayhan ist seit April 2022 wissenschaftliche Mitarbeiterin am Institut für Film-, Theater-, Medien- und Kulturwissenschaft der Johannes Gutenberg-Universität Mainz. 2020 promovierte sie gemeinsam an der Universität Antwerpen und der Koç-Universität mit einer Dissertation über Screen Production und urbane Transformation in Istanbul. Zuvor studierte sie Archäologie und Kunstgeschichte (BA, Bilkent) sowie Film und TV (MA, Bahçeşehir). Beruflich war sie in der Produktion von Spielfilmen, Fernsehserien und Dokumentarfilmen in der Türkei, Italien, den USA und Deutschland tätig. Kayhan ist Autorin zweier Bücher, veröffentlichte in internationalen Fachzeitschriften und leitet partizipative Filmworkshops inEuropa. Ihre preisgekrönten Kurzfilme liefen bei Festivals wie Tribeca, BFI London, Montreal World und Palm Springs, während ihre künstlerischen Arbeiten in bedeutenden Museen gezeigt wurden.

Studienfachberatung IMACS – International Master in Cinema Studies (mit Cecilia Valenti)

Redaktionelle Betreuung der Website (mit Camilo Porras Sandoval; Mailkontakt)

Campus Media Koordination

Betreuung Studiengang Erasmus+ (mit Roman Mauer)

European Network for Cinema and Media Studies (NECS)

Society for Cinema and Media Studies (SCMS)

European Communication Research and Education Association (ECREA)

European Women’s Audiovisual Network (EWA)

Film Independent

Women in Film

MA Ü. Kritisches Schreiben: Small Stories in AI: Sustainable Video Production
Dozent:in: Sezen Kayhan; Utku Önal
PrS. Filmpraxis: Acts of Solidarity – Imagining Collective Futures
Dozent:in: Sezen Kayhan

SoSe 2026

Nachhaltige Medienproduktion

Partizipatives Filmemachen

Spekulative Fiktion

Türkischer Film, Fernsehen und digitale Plattformen

Kinematografische Räume

Kayhan, S., und Kayhan Müldür, S. (2024, Februar 14). Ortadoğu Sinemasında Ekolojik Krizin Yansıması Eko-Distopyalar (Reflection of Ecological Crisis in Middle Eastern Cinema: Eco-Dystopias). Author/Publisher URL

Kayhan Müldür, S. (2023). Televizyondan Dijital Yayın Platformlarına Türkiye’de Dizi Yapım Dinamiklerinin Değişimi (Changing Dynamics of Series Production in Turkey from Television to Digital Broadcasting Platforms). In Dijital Medya Çalışmaları (Digital Media Studies) (S. 97-120). Özgür Yayınları. DOI Author/Publisher URL

Kayhan, S. (2023). TV drama production studios of Istanbul: From empty sound stages to standing sets. Critical Studies in Television. Published. DOI Author/Publisher URL

Kayhan Müldür, S. (2023). The Delight of Turkish Dizi: Memory, Genre and Politics of Television in Turkey. Television and New Media. DOI Author/Publisher URL

Kayhan Müldür, S., und Kesirli Unur, A. (2022). Cinematic Spaces of Istanbul Through the Foreign Lens: Hollywood Studio Era, Spy Films and Touristic Experience. Kültür ve İletişim, 25 (2)(50), 475-496. DOI

Kayhan Muldur, S. (2022). Europe Knows Nothing About the Orient: a critical discourse from the East (1872-1932). Cultural Studies, 36(6), 1036-1038. DOI Author/Publisher URL

Kayhan Müldür, S. (2022). Film Müziği Üzerine. In Özgür Köy (Hrsg.), Yönetmenler ve Besteciler İçin Film Müziği (S. 163-166). Gazi Üniversitesi Yayınları. Author/Publisher URL

Kayhan, S. (2022). Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema. Historical Journal of Film, Radio and Television, 42(4), 847-849. DOI Author/Publisher URL

Kayhan, S. (2022). Women with purple violets documentary and the liberating effects of female football fandom. Soccer and Society. Published. DOI Author/Publisher URL

Kayhan Müldür, S. (2021). Les coproductions internationales: une analyse de la collaboration entre Meetings on The Bridge et l’Institut français. In Des ciné-goûters aux séances pour les cinéphiles Les cinémas des Instituts français et des Alliances françaises (S. 293-305). Presses Universitaires du Septentrion.

Kayhan Muldur, S. (2021). Open-Air Cinemas of Istanbul From the 1950s to Today. SPACE AND CULTURE, 24(1), 128-143. DOI Author/Publisher URL

Kayhan Muldur, S. (2021). The building as screen: A history, theory and practice of massive media. Visual Studies. Published. DOI Author/Publisher URL

Kayhan Müldür, S. (2020). Screen Production and Exhibition in Istanbul under Urban Transformation [PhD Thesis]. Author/Publisher URL

Kayhan Müldür, S. (2020). Elene. In Y. Basaran und S. S. Karatas (Hrsg.), Kısa Filmin Öyküsü 2 (S. 32-42). Es Yayınları.

Kayhan Müldür, S. (2020). Postmodern Kentleşme ve Yaratıcı Ekonomi: İstanbul’da Medya Endüstrileri. İdealkent, 11, 1023-1049. DOI Author/Publisher URL

Muldur, S. K. (2020). The proliferation of alternative film exhibition spaces in Istanbul: cultural segregation and urban cinephilia. Visual Studies, 35(2-3), 232-244. DOI Author/Publisher URL

Kayhan Müldür, S. (2019). Yeşilçam ve Kentsel Dönüşüm: Küçük Hanımefendi Filmlerindeki Modern İstanbul Temsili. In Türk film araştırmalarında yeni yönelimler 15 (S. 79-93).

Kayhan, S. (2018). Istanbul Open City: Exhibiting Anxieties of Urban Modernity. Journal of Visual Culture, 17(2), 253-256. DOI Author/Publisher URL

Rappas, I. A. C., und Kayhan, S. (2018). TV Series Production and the Urban Restructuring of Istanbul. Television and New Media, 19(1), 3-23. DOI Author/Publisher URL

Kayhan, S. (2017). Bilge Yeşil. Media in New Turkey: The Origins of an Authoritarian Neoliberal State. New Perspectives on Turkey, 57, 161-165. DOI

Kayhan, S. (2017). Fongogo: A Case Study on the Usability of the Local Crowdfunding and Fundraising Websites in Turkey. Humanitas - Uluslararası Sosyal Bilimler Dergisi, 5(9). DOI

Kayhan, S. (2016). Arkeoloji Işığında Özgün Bir Sinema Deneyimi: Idrimi, Unutulmuş Krallığı Aramak. Sekans Film Magazine, 03, 169-173. Author/Publisher URL

Kayhan, S. (2014). Fragments of Tragedy in Postmodern Film. Cambridge Scholars Publishing. Author/Publisher URL

Kayhan Müldür, S. (2014). Düşlerin Şairi: Alain Tanner. Altyazı, 50-51.

Kayhan Müldür, S. (2014). İnfazın Tanıdık Öyküsü. Altyazı, 95-96.

PrS. Filmpraxis: Acts of Solidarity – Imagining Collective Futures