Contact

Mail: trichter@uni-mainz.de
Tel. via MS Teams

Office hours

Wednesdays 3-4 p.m., by appointment only
Room 04-118

Medienhaus – Wallstraße 11, 55122 Mainz

Tullio Richter-Hansen (Dr. phil.) is an academic staff member in the Film Studies program at JGU and editor of the film studies journal Nach dem Film (co-editorial coordination 2021-2025). After completing his study and doctorate at Goethe University Frankfurt am Main with a fellowship from Heinrich Böll Foundation Berlin, published as “Friktionen des Terrors” (2017), he had several stints as post-doctoral researcher and teacher in Film Studies at JGU between 2015 and 2020. In between, he was an academic staff member in the Seminar for Film Studies at Freie Universität Berlin, where he also coordinated the DFG research project “Figurations of Difference in Moving Images” 2019-2022, and worked on a post-doc project on the entanglements of film, sport and difference.

Coordinator of Delayed Term Papers

Editorial supervision of the website (with Camilo Porras Sandoval; mail contact)

Advisor of Visiting Lecturers

Gesellschaft für Medienwissenschaft Society for Media Studies

European Network for Cinema and Media Studies (NECS)

AG Antidiskriminierung, FTMK Mainz

Initiative (FTMK) Mainz Unbefristet

  1. Einführungsveranstaltung für alle Studienanfänger*innen im BA Filmwissenschaft
    Instructor: Dr. Tullio Richter-Hansen
  2. Einführungsveranstaltung für Studienanfänger*innen im MA Filmwissenschaft
    Instructor: Dr. Tullio Richter-Hansen
  3. Einführungsveranstaltung für Studienanfänger*innen im MA Mediendramaturgie
    Instructor: Dr. Tullio Richter-Hansen
  4. S. Gegenstände: Sampling and Scratching: Audiovisuelle Hip-Hop-Geschichte(n)
    Instructor: Dr. Tullio Richter-Hansen
  5. Übung zur Vorlesung (Winter): Filmsport (A)
    Instructor: Dr. Tullio Richter-Hansen
  6. Übung zur Vorlesung (Winter): Filmsport (B)
    Instructor: Dr. Tullio Richter-Hansen

WiSe 2026/27

Film, Cinema and Genre Theory

Politics and Aesthetics of (War) Film

Sports Film and Film Sports

Entanglements of Difference/; Relationality of Gender, Desire, “Race”, Nationality, Class, Corporeality

Early Black Cinema (1915-1940)

Media Materialities, including Audiovisual Writing Cultures, Credits; Vinyl/Records as Media Artifacts